1. Smoke On The Water / DEEP PURPLE | |
2. Celebration / TONY ASHTON & JON LORD* | |
3. Libel / HARD STUFF* | |
4. Hamburgers / RUPERT HINE* | |
5. Hawaii / YVONNE ELLIMAN | |
6. Gold Medallions / TUCKY BUZZARD | |
7. Rolling With My Baby / SILVERHEAD* | |
8. When A Blind Man Cries / DEEP PURPLE | |
9. I Can't Explain / YVONNE ELLIMAN | |
10. Clouds In My Hair / MALDOON | |
11. Vermouth Rondo / BUDDY BOHN* | |
12. Look Out Cleveland / CAROL HUNTER* | |
bonus tracks: | |
13. Monster In Paradise / BULLET* | |
14. Sloeback / TONY ASHTON* | |
15. Man From Afghanistan / CURTISS MALDOON | |
16. Love's Bringing Me Down / YVONNE ELLIMAN | |
17. Vocal Movement from Gemini Suite / JON LORD* | |
18. The Monk / MacIVER / HINE* | |
19. Looking Back / BUNTER* | |
20. Who Is The Doctor/ JON PERTWEE* | |
(*) = first time on CD in the UK for these tracks / versions
After the
release of 'Purple People' in December 1973 (the cut off date for the CD
bonus tracks), the label began to concentrate more on Deep Purple
themselves. There were far fewer albums, and only one new signing, an
American band called Elf. Silverhead ground to a halt, with a live album
in the can which was only issued in Japan (it's due for a thorough remix
and reissue shortly), but Micheal Des Barres was good for one final solo
single before he left for America and eventually a long-running career
as a television and film actor. These were the last non-Deep Purple
connected releases issued by Purple Records, and from then on all
releases were either by Deep Purple or members of the band.
In
1999, permission to start a new Purple Records was sought. Though an
independent label, licensing material from a variety of sources, one of
the ideas was to rummage through the old catalogue. For the remastering
of 'Purple People', the original quarter inch production tape was used
to replicate the 1973 listening experience much more closely, cleaning
up and restoring where necessary. The label's early motto (suggested by
MacIver and Hine) was The Open Ear, and even today, barring one or two
tracks, they clearly had a fascinating mix of artists and music, and
many of them still sound great thirty years later.